![]() Rise posted a status that the new album will be released in July. On 13 February 2013, the band revealed they are currently writing new material for their next album. ![]() On 27 December 2012, the band posted a link to a Gumroad page where fans could download the audio files of Snow Sessions EP entering their e-mail addresses. They are joining Pierce the Veil and Woe, Is Me of May/June 2013. The band recently completed the Scream It Like You Mean It Tour in the United States with We Came as Romans and Attack Attack! and toured fall of 2012 with Pierce the Veil and Sleeping with Sirens on the Collide with the Sky Tour. ![]() This video EP contain acoustic performances of some songs from Ground Dweller and was released through their YouTube channel on 23 April. On 16 April 2012, the band posted a trailer on the official YouTube channel anouncing a video EP named Snow Sessions. On, Hands Like Houses embarked on their first ever tour of the US on the Rise Records' The Freshman Class of '12 Tour supporting The Air I Breathe, Palisades and My Ticket Home. 141 on the Billboard Top 200 and number 2 on the Billboard Heatseekers Chart. Ground Dweller was released on 13 March 2012. Then, on 11 March, two days before the release of Ground Dweller, the band streamed the entire album on the Alternative Press website. On 7 January, the band released the artwork for Ground Dweller as well as announced the 13 March release date for the album. On 4 January 2012, the band announced that they had signed to Rise Records. They also released a demo version of "One Hundred" in their PureVolume profile. In 2011, the band released singles for "This Ain't No Place for Animals" and "Lion Skin" (which features a few differences from the one included in their full-length) on iTunes, garnering over 5,000 single sales. However, the EP never was released and the band decided to re-record some of the tracks and record six new tracks for a full-length album. Their debut album, Ground Dweller, was released on 13 March 2012 and charted at number 141 on the Billboard Top 200 and number 2 on the Billboard Heatseekers Chart.įormed in 2008 from the remnants of other local bands, So Long Safety and Eternal Debut, the band traveled to Chango Studios to record material for a self-titled EP with producer Cameron Mizell. Formed in 2008, the group is currently signed to Rise Records. Hands Like Houses is an Australian rock band from Canberra. ![]() arrived in 2018 and featured the singles "Overthinking" and "Monster.1 x Hands Like Houses - Watchmaker (feat. Their first album for the label, the pop-leaning Anon. In 2017, the band signed a deal with Hopeless Records. An international tour followed, which kept the band on the road with acts A Day to Remember, the Amity Affliction, Northlane, and Motionless in White. hard rock chart, peaking in the Australian Top Ten. Dissonants was released in February 2016 and shot into the Top Three of the U.S. In April 2015, the band began work with producer James Paul Wisner (Underøath, Paramore) on its third LP. A couple months later, Sebet parted ways with the group. In 2014, they released the remix EP Reimagine. The album charted on the Billboard Top 200, as did its 2013 follow-up, Unimagine. The band released a few singles in 2011 before the arrival of its 2012 debut full-length, Ground Dweller (Rise). than their native Australia, the band began a steady rise that reached new heights with 2016's Dissonants.įormed in 2008 by members from disbanded groups Eternal Debut and So Long Safety, Hands Like Houses comprised singer Trenton Woodley, keyboardist Jamal Sebet, drummer Matt Parkitney, guitarists Alexander Pearson and Matt Cooper, and bassist Joel Tyrrell. Following the 2012 debut Ground Dweller, which charted higher in the U.S. Following the 2012 debut Ground Dweller, which chartedĪustralian post-hardcore band Hands Like Houses debuted in the late 2000s, joining a crop of stylish but heavy bands that valued singalong melody as much as aggression. Australian post-hardcore band Hands Like Houses debuted in the late 2000s, joining a crop of stylish but heavy bands that valued singalong melody as much as aggression.
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